Just found few more gorgeous outtakes of Saoirse from Black Book and Nylon. Also, Thanks to Kelly for sending me a new set photoshoot of Saoirse. Enjoy!

When Saoirse Ronan walks into the Old Poland Bakery in Brooklyn’s Greenpoint neighborhood, the 15-year-old actress looks every bit the schoolgirl. That is, if she went to school. Since her Oscar-nominated performance in Atonement two years ago, Ronan has been too busy to attend regular classes. “I tried to go back recently,” she says, “but I felt like I was in a zoo. I felt like there were 20 kids crowding me, teasing me.”
Still, all things considered, Ronan’s life has been fairly normal. Her parents travel with her wherever she goes. She refuses to move to Hollywood and doesn’t much care for fame. “I try not to read much press about me,” she says in her sophisticated Irish brogue. “Most people are nice, but then you have really mean people who are like, ‘Who’s prettier: Saoirse or Dakota Fanning?’ I hate when they compare.”

This Christmas, Ronan co-stars in Peter Jackson’s adaptation of Alice Sebold’s bestselling novel The Lovely Bones, as the film’s brutally raped and murdered narrator. Ronan, who will also appear with Colin Farrell in The Way Back, Peter Weir’s upcoming war drama about escapees from a Siberian gulag, says it was difficult to film the scenes in which Susie looks over her family from the afterlife. “I was surrounded by a blue-screen most of the time, so I had no idea what Peter’s heaven was going to look like. My family is Catholic, but I don’t know if I believe in a god.” Before Ronan has the chance to get into her personal theology, her lunch arrives, and her otherworldly eyes light up. “I’m so excited!” she says, finally sounding her age. “I’ve never tried chicken noodle soup before.”

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What was your initial reaction when watching the film? Did you have any idea what it might look like?
I knew that whatever happened, Pete was going to do something incredible with it, because he always does with all of his movies. The waiting process to see this movie has been almost two years. But since I hadn’t seen it until recently, I’d never really thought of it as a movie, as a finished film.

How do you try to understand a character like Susie Salmon, someone whose life experience is so vastly different from yours?
When you put it like that, it actually sounds quite difficult. But I’m pretty good at understanding people in everyday life, and that’s one of the most important things about becoming someone else on camera. I also think it’s important to have a good relationship with your director. If you don’t have that then I don’t think you can portray the character in its entirety, the way it deserves to be played. Although Pete’s style of directing is different from any other director I’ve worked for, it just works. He talked to me about loss. It wasn’t exactly about death, but more about having something taken from you and never getting it back.

The Lovely Bones is an adaptation of a fictional story, but it’s also based, however loosely, on Alice Sebold’s life. Were you conscious of that during filming?
I wasn’t really. For me, Susie was completely separate from Alice. I wanted to create for Susie her own identity. She became a part of me for two months, not in a method acting kind of way but as if became her friend. I knew everything about her, and how she would react to something.

Did you discuss the story or your character with Alice?
I haven’t met Alice. I think they invited her on set, but she never came. I thought it was great that she didn’t want to get in the way of Pete’s interpretation of the story. It seemed to me, from what I heard, that she really respected him and his vision.

Were you able to leave the tragedy on set?
Sometimes I’d come home from work and get really upset because I was so close to Susie. As a human, as someone with a heart, of course I got upset. But I tried my best to leave it there.

Tell me about your working relationship with Stanley Tucci, who plays your murderer in the film.
Stanley is one of the sweetest guys. He is very kind and funny, really easy to be around. And it was important for us to be that comfortable with each other in order to go into those uncomfortable scenes. After we finished the cornfield scene [during which Stanley’s character murders Susie Salmon], I went over to him and gave him a hug. He had his arm around me and we walked off and had a chat.

What’s it like when you’re at home? The Irish are a proud group of people.
I mean this in the most modest way, but everyone loves Ireland. We’ve got a very good reputation and even though we’ve had some trouble in the past, I think that’s made us more proud of who we are. We’ve really fought for our country and for freedom. I have to say that the stereotypes people have set for us kind of annoy me. Sure, there are a lot of people who drink in Ireland, but there are also a lot of people who drink in Britain and everywhere in the world.

But how normal is your life at home? Have you been affected by fame?
It’s not as normal as it was before I started acting. I’m quite well known in Ireland, so people recognize me.

Does that happen when you walk down the street?
Yeah.

Has that started to happen in America?
It’s happened a few times, but America is a lot bigger than Ireland. A lot of people know me over there. It’s quite odd when you’re walking through the town you grew up in and people start to look at you differently, people that I know, people that I don’t know, or people that I’ve seen on the street before and recognize. I’m really happy that my acting career has taken off, but at the same time, I’m not doing it for fame.

How has your film success affected your school life?
It’s changed quite a bit. When I was nominated for an Oscar, I was working on Lovely Bones and I couldn’t start secondary school with the rest of the kids. I had planned to go back to school after Easter but it didn’t really work out. I’m not going to delve too much into it, but it just didn’t work out at all, for me at least.

Because the other kids knew about the movies you were in?
Yeah, I felt like I was in a zoo. I felt like there were 20 kids crowding me, teasing me. It was just a bit mean. There were some good kids, too.

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I’ve added nine fabulous outtakes of Saoirse from the LA Times photoshoot to the gallery. Be sure to check it out!

Saoirse will be on the cover with a interview of the upcoming(Jan-Feb 2010) issue of an Irish Magazine, Kiss.

Saoirse in Wonderland
Irish actress and Oscar Nominee Saoirse Ronan may only be fifteen, but she has the world at her feet. She talks to KISS about splitting her time between Carlow and Hollywood, school and her plans for the future.

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Here’s a new interview with photoshoot that Soirse did for LA Times.

Don’t call her the new it girl. She’ll fidget with her sleeves; the pressure makes her a bit squeamish. The new lit girl? She’s OK with that.

Saoirse (pronounced SIR-sha) Ronan burst onto the scene at 13 with her Academy Award-nominated performance in the cinematic adaptation of Ian McEwan’s ” Atonement.” She played Briony in the period drama — a child who meddles in her sister’s love affair, causing devastating results — and held her own opposite the film’s lead actors, Keira Knightley and James McAvoy.

Her latest film, “The Lovely Bones,” an adaptation of the bestselling book by Alice Sebold and directed by Peter Jackson, hits theaters Friday.

“I’m a bit of a bookworm, aren’t I?” said Ronan, now 15, before taking a sip of orange juice at the Beverly Wilshire Hotel one recent morning. In person, she comes across much more measured and mature than her age suggests; poised and thoughtful with her answers, but retaining her teen sensibility — giggling when she’s “flummoxed” and sitting cross-legged in her chair.

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In “Lovely Bones,” Ronan plays 14-year-old Susie Salmon, who — early on in the story — is raped and murdered by her neighbor on her way home from school in 1973. She narrates the tragic story from the “in-between,” a place similar to purgatory, as her family copes with the tragedy and her murderer roams free.

“She was only 13 years old when we filmed,” said costar Stanley Tucci, who plays the neighbor George Harvey. “How someone acquires that kind of maturity as an actress at such a young age is remarkable. I can’t imagine it. She handles herself as well as any seasoned actor. I wouldn’t even be able to finish a sentence at her age. She’s a real actress. Bottom line. And she is Susie Salmon. No one else could play her.”

It was a role Ronan and her family were hesitant to accept because of the rape and murder content. But after meeting with Jackson, their hesitation eased.

“She’s just amazing on-screen,” Jackson said. “Just brilliant. I tend to not work with big stars for the key roles in most of my films. What’s appealing to me as a filmmaker is that audiences don’t bring a preconceived notion to the film of who this person is. They’re more likely to believe in Susie Salmon if they’re not so familiar with Saoirse.”

She may not grace the covers of Teen Beat or Us Weekly, but Ronan isn’t exactly unknown.

When she was 8, she landed a role in the Irish television show “The Clinic.” A year later, she played Orla Boland in another series called “Proof.” In 2007, three films that Ronan appeared in were released: the romantic comedy “I Could Never Be Your Woman,” in which Ronan played Michelle Pfeiffer’s daughter; “The Christmas Miracle of Jonathan Toomey” and the Joe Wright-directed “Atonement.”

“Atonement” got Ronan worldwide recognition from audiences and the industry. TheTimes’Kenneth Turan called Ronan “exceptional.” New York Times critic A.O. Scott described her as “remarkably poised.” And in London’s Sunday Times, Cosmo Landesman described her performance as “confident and gripping.”

Despite the attention, Ronan has avoided the flashbulb limelight that surround her young peers such as Miley Cyrus and Selena Gomez. And she doesn’t expect that will change.

“I don’t think I would ever want fame like them,” Ronan said. “I have to say, I think Miley Cyrus is still quite young. She’s what? Seventeen? I think she’s very brave for all that fame to be thrown at her so young. She’s like another Britney Spears. I don’t envy her at all — or any of those girls who get that much attention. I suppose we’re different kinds of actors. I focus on my work. The stuff that comes afterward — the press and premieres — it’s fine, it’s fun . . . but what I really want to do is work on my acting.”

An only child, Ronan was born in New York City, where she lived until she was 3. Her parents, Monica and Paul — he’s a well-known Irish stage actor who’s appeared in such films as “Veronica Guerin” and “The Devil’s Own” — moved the family back to Ardattin, a small Irish village — really small; it has a population of about 300 — in County Carlow.

It was there that a glimpse into her passion for acting revealed itself . . . with the help of a plastic toy doll called Polly Pocket.

“I used to make up stories,” Ronan recalled. “Little soap operas. Polly Pocket’s boyfriend was Woody from ‘Toy Story.’ They were together for a very long time — since high school, actually. In college, he had an affair. It was very complex — things that probably a 7-year-old shouldn’t have been imagining. I was a weird gal.”

But it’s that vivid imagination that makes her an unforgettable actress, Jackson insists.

“When she’s performing — when she’s in the moment — there’s no sense that she’s acting,” Jackson said. “It just feels completely authentic. I can see her being one of the premium actresses of her generation. It’s impossible to predict things, but she’s so versatile. I could easily see her having a career as esteemed as Cate Blanchett or Kate Winslet.”

But, for now, she’s still enjoying the perks of being a teen. She lives most of the year with her parents in the Irish countryside, two hours from Dublin.

Her mother travels everywhere with her, and to keep the homely vibe on while on location, they rent houses instead of staying in hotels. She loves her dog, Sassy.

She likes to get lost in the pages of books — the latest have been Ernest Hemingway’s “The Old Man and the Sea” and ” Anne Frank: The Diary of a Young Girl.” When she’s not reading, she enjoys watching movies such as “Dirty Dancing” and “Grease.” Music? She’s a fan of Lady Gaga, Jay-Z and Beyoncé. But she’s also jams to Fleetwood Mac, David Bowie and Bob Dylan.

If this acting thing doesn’t work out, she’s interested in painting and writing — “anything creative.” But she’s hopeful her time in front of the lens continues. She would even like to work behind the lens, sitting in the director’s chair.

“I’ve got more in me,” she said. “I’ve only given you a taste.”

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Saoirse did a photoshoot and interview for WWD Lifestyle. Here’s the interview:

For a 15-year-old girl, Saoirse Ronan has experienced her fair share of cinematic drama. As the pre-pubescent Briony in 2007’s “Atonement,” she witnesses a sexual crime and lies to investigators, a role for which Ronan (whose first name is pronounced SER-shuh) scored an Oscar nomination. And in the Peter Jackson-directed “The Lovely Bones,” opening, she portrays a teenage girl raped and murdered by her unassuming suburban neighbor. It would take a toll on someone twice her age.

Yet despite her slight frame and delicate, porcelain face, it is easy to see why directors choose Ronan for such dark fare. Curled up on a banquette in The Four Seasons Hotel in New York, she projects both the innocence of youth and the self-possession of a working professional. “I’ve always been a bit of an old soul,” she says.

She gives new meaning to that descriptor in “The Lovely Bones.” After her character, Susie Salmon, is killed, she spends the majority of the film in a middle world between life and death. Set in Seventies Pennsylvania and based on the Alice Sebold novel of the same name, the movie follows the Salmon family’s struggle with the tragic loss of 14-year-old Susie. Ronan acts as both narrator and spiritual force, watching as her parents (Rachel Weisz and Mark Wahlberg) self-destruct while her killer (Stanley Tucci) continues to roam unnoticed.

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“A couple of times I did get upset. But when you’re working on a movie for a long time, you just have to push it to one side, really, and get on with the job,” says Ronan of handling the challenging material, which includes a chill-inducing murder scene with Tucci.

Though she didn’t read the book until after the shoot (“I was 13 at the time and I was a bit too young — the first chapter’s a tough read”), Ronan found tapping into Susie easier than one might imagine.

“She’s this normal teenage girl. She comes from a strong family unit. She’s been protected her whole life. And that was very easy to understand because I’m the same way,” explains the Irish actress, who studied with a dialect coach for a mere two weeks to nail her pitch-perfect American accent.

Born in New York but raised as an only child in rural County Carlow, Ireland, Ronan didn’t grow up with typical child star intentions. Though she staged pretend soap operas with her dolls (“Woody from ‘Toy Story’ was having an affair with Polly Pocket’s best friend — this was when I was four,” she remembers) and landed a small part at eight on the Irish TV show “Clinic” through her father’s casting agency, she came to her passion for acting slowly.

“I didn’t know until I started to do it really. It’s sort of like, ‘How do you know if you want to be a footballer if you’ve never kicked a football?’” she explains. “When I did ‘Atonement’ the level was raised. It was a challenging role for me to take because it was a drama and I was working with really talented, professional people, and I was 12. So that’s when I started to think, ‘I really love this. How can I give this up now?’”

She shows no signs of stopping: Next up is Peter Weir’s World War II-era drama “The Way Back” with Ed Harris and Colin Farrell.

But the personal consequences of her chosen career have proved a difficult adjustment. For one, she had to switch to home-schooling after her Oscar nod.

“With everyone knowing who you are, it just wasn’t working out. I wanted to go to school, but it’s not going to be that way,” says Ronan.

Indeed, the stakes will only rise with the release of “The Lovely Bones.” At the New York premiere, Courtney Love accosted Ronan to gush about her performance, much to the young actress’ surprise. And at a recent appearance on MTV’s “It’s On With Alexa Chung,” Ronan was shocked to find photographers waiting outside for her arrival.

“I got ‘papped’ in the States for the first time last night,” she says of the experience, her eyes widening. “I think it’s different when people recognize you here. I knew it was going to happen in Ireland and that was fine; it’s Ireland and it’s grand. But in the States it’s like, ‘This is actually happening for real now.’”

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